Father Matthew Kelty was an especially beloved monk at the historic Abbey of Gethsemani in Kentucky. Perhaps best known as Thomas Merton's colleague and confessor in the year prior to Merton's death, Father Matthew was also an enormously gifted spiritual writer in his own right, one whose homilies at Gethsemani attracted a wide following. This is the first book-length study of Matthew Kelty's life in relation to his spiritual writings and his profound reflections on the virtues of the monastic life in the modern age.

Anne Carson (b. June 21, 1950, in Toronto, Canada) is one of the most versatile of contemporary classicists, poets and translators in the English language. In this book, Ruprecht explores the role played by generic transgressions on the one hand, and by embodied spirituality on the other, throughout Carson's ambitious literary career. Where others see classical dichotomies (soul versus body, Classical versus Christian), Carson sees connection. Like Nietzsche before her, Carson decries the image of the Classics as merely bookish, and classicists as disembodied intellects. She has brought religious, bodily erotics back into the heart of the classical tradition.

Antoine Chrysostome Quatremere de Quincy (1755-1849) was the most important Neoclassical art historian in the generation after Johann Joachim Winckelmann (1717-1768). It is difficult now to appreciate his importance, due in part to the lack of translations of his 21 published books: three were rendered into English in the 19th century, and one in the 21st. The Moral Considerations has long been considered the most shattering polemic against public museums ever written. But I will show that Quatremere's polemic was aimed, not against museums per se, but rather against the imperialist and secularist curatorial purposes of Parisian museums in the age of Revolution. His Neoclassical commitments maintained the centrality of religion, and of incarnation, to any proper understanding of the place and purpose of the fine arts.